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Atomos Sumo 4Kp60 HDR 19" Production Monitor-Recorder features 10 stops dynamic range, 10-bit processing and X-rite calibration.The 1920x1080 10-bit LCD panel brings scenes to life with the wide brightness range and vivid colors. The monitor is perfect for on set and in studio use with the ability to record dailies, proxies, or 4kp60 masters.
BUILT FOR PRODUCTIONThe Aluminium alloy chassis with built-in armor houses ten mounting points around the top/bottom/side, a rear panel 100mm VESA mount and an included stand for a variety of mounting configurations. Alongside of the XLR connections for power and balanced audio, there is a 3.5mm stereo headphone jack and built-in speakers. The optional mounting plates connect dual V-Lock or Anton Bauer batteries work in tandem with our patent pending continuous power system. This allows batteries to be hot swapped to ensure you are never without power in the field.
QUAD SDI & HDMI 2.0 IN/OUTSeamlessly connect any SDI or HDMI device and convert between HDMI 2.0 and SDI (3G QuadLink/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 input/output along with the very latest Atomos open protocol that supports HDR automation including importing of camera settings. There is also support for Genlock and LTC timecode.
PROFESSIONAL RECORDINGCapture the RAW output from Sony FS5/FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to 12-bit 4Kp30 as CDNG or 10-bit Apple ProRes / Avid DNxHR up to 4Kp60 / 2Kp240 depending on the camera’s capability. The processing power of Sumo preserves pristine quality direct from the sensor with data rates of up to 3.2 Gbps.
MONITOR. SWITCH. RECORDMake working with multi-cam a breeze. Switch and mix a live record and stream or record 4 x HD ISO recordings using the QuadLink SDI connections. Switch between feeds on screen with cueing, cross fade and hard cuts from the locked sources or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired final result infinitely editable.
XLR MONITOR & RECORDEliminate the need for a separate audio recorder by using the full size XLR connections to connect and power external microphones for balanced analogue audio with dedicated meters and adjustments for frame delay and gain. 48V phantom mics or line level audio are all seamlessly synchronized for the most advanced audio feature set in a monitor today. There is also a 3.5mm stereo headphone jack and built-in speakers for on set instant immersive review or complete internal recording review anytime anywhere with clients or production team.
GO HDR TODAYSumo’s 19” 1920x1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps the Log/PQ/HLG from popular cameras, game consoles or TV makers to perfectly resolve 10+ stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life either on the monitor itself, or when output to larger HDR/Rec709 displays for on set review. It can also be used with popular NLE or grading suites for affordable HDR or SDR editing or grading in the studio.
HIGH BRIGHT FOR REC709 OUTDOOR SHOOTINGThe extremely bright 1200nit display means you can accurately monitor, even when outside in full daylight. Additionally, for the ultimate low light performance an optional hood is available. The simplicity of AtomOS means its only a single tap on screen to bring up focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, Vectorscope, Anamorphic desqueeze and a flexible 3D LUT implementation to upload your own LUTs as .cube files.
CONTINUOUS POWERThe optional mounting plates connect dual V-Lock or Anton Bauer batteries that work in tandem with our patent pending continuous power system. Sumo automatically swaps to the second battery when power is low, allowing the drained battery to be hot swapped to ensure you are never without power in the field.
504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand)
Video Input/Loop Out
Supported Loop Out Formats
720p 50/60, 1080i 50/60,1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60
720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60
Video Signal Conversion
720p 50/60, 1080i 50/60,1080p 24/25/30/50/60/100/120/200*/240*2160p 24/25/30/50/60
Supported Codes & Frame Rates
Sony FS5/FS7^^/FS700 CDNG4K DCI; 24/25/30p 4K UHD; 2K; 24/25/30/50/60/100/120p 1080;
Canon C300MKII/C500 CDNG4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080;
Panasonic VaricamLT / Varicam35* CDNG4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080;
Arri Alexa Mini .ARI*2880x1620; 24/25/30/50/60p 2880x2160; 24/25/30/50/60p
Sony FS5/FS7/FS700 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB)4K DCI; 24/25/30/50/60p 4K UHD; 2K; 24/25/30/50/60/100/120/200/240p 1080;
Canon C300MKII/C500 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB)4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080;
Panasonic VaricamLT / Varicam35* ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB)4K DCI; 24/25/30/50*/60p* 4K UHD; 24/25/30/50*/60p* 2K; not supported in camera 1080; not supported in camera
Codecs Apple ProRes HQ, 422, LTAVID DNxHR HQX. HQ, SQ, LB
Frame rates 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; N/A 1080p; 24/25/30/50/60/100^/120^/200/240p 1080i; 50/60i 720p; 50/60p
Audio In/Out (48kHz PCM Audio)
2ch balanced XLR analog in/out (direct XLR connection)Dynamic range >90dBMax signal level +24dBuMax analog gain +52dB48V Phantom Power for Mic
Auto HDMI TriggerSupported Protocols - Canon, Sony, Atomos Open Standard
Supported Applications FCPX/FCP7+ / Media Composer5.0+ / Premiere 5.5+EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /Autodesk Smoke 2015
Sunhood, VESA battery adapter plate, Atomos HDMI cable, X-Rite i1DisplayPro calibration
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